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Sun, Dec 8 xxxx
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Shelley is perhaps best known for poems such as Ozymandias, Ode to the West Wind, To a Skylark, Music, When Soft Voices Die, The Cloud, The Masque of Anarchy and Adonaïs, an elegy written on the death of Keats. Shelley's early profession of atheism, in the tract "The Necessity of Atheism", led to his expulsion from Oxford,[138] and branded him as a radical agitator and thinker, setting an early pattern of marginalization and ostracism from the intellectual and political circles of his time. His close circle of admirers, however, included the most progressive thinkers of the day, including his future father-in-law, philosopher William Godwin. A work like Queen Mab (xxxx) reveal Shelley, "as the direct heir to the French and British revolutionary intellectuals of the xxxxs.[139] Shelley became an idol of the next three or four generations of poets, including important Victorian and Pre-Raphaelite poets such as Robert Browning, and Dante Gabriel Rossetti, as well as later W. B. Yeats.[140] Shelley's influential poem The Masque of Anarchy (xxxx) calls for nonviolence in protest and political action. It is perhaps the first modern statement of the principle of nonviolent protest.[141] Mahatma Gandhi's passive resistance was influenced and inspired by Shelley's verse, and Gandhi would often quote the poem to vast audiences.[142]hough John Keats shared Byron and Shelley's radical politics, "his best poetry is not political",[144] but is especially noted for its sensuous music and imagery, along with a concern with material beauty and the transience of life.[145] Among his most famous works are: "The Eve of St Agnes", "Ode to Psyche", "La Belle Dame sans Merci", "Ode to a Nightingale", "Ode on a Grecian Urn", "Ode on Melancholy", "To Autumn" and the incomplete Hyperion, a 'philosophical' poem in blank verse, which was "conceived on the model of Milton's Paradise Lost ".[146] Keats' letters "are among the finest in English" and important "for their discussion of his aesthetic ideas", including 'negative capability' ".[147] Keats has always been regarded as a major Romantic, "and his stature as a poet has grown steadily through all changes of fashion".[148]Jane Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism.[157] Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security.[158] Austen brings to light the hardships women faced, who usually did not inherit money, could not work and where their only chance in life depended on the man they married. She reveals not only the difficulties women faced in her day, but also what was expected of men and of the careers they had to follow. This she does with wit and humour and with endings where all characters, good or bad, receive exactly what they deserve. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in xxxx of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the xxxxs she had become accepted as a major writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Austen's works include Pride and Prejudice (xxxx) Sense and Sensibility (xxxx), Mansfield Park, Persuasion and Emma.The European Romantic movement reached America in the early 19th century. American Romanticism was just as multifaceted and individualistic as it was in Europe. Like the Europeans, the American Romantics demonstrated a high level of moral enthusiasm, commitment to individualism and the unfolding of the self, an emphasis on intuitive perception, and the assumption that the natural world was inherently good, while human society was filled with corruption.[159] Romanticism became popular in American politics, philosophy and art. The movement appealed to the revolutionary spirit of America as well as to those longing to break free of the strict religious traditions of early settlement. The Romantics rejected rationalism and religious intellect. It appealed to those in opposition of Calvinism, which includes the belief that the destiny of each individual is preordained.Romantic Gothic literature made an early appearance with Washington Irving's The Legend of Sleepy Hollow (xxxx) and Rip Van Winkle (xxxx), There are picturesque "local color" elements in Washington Irving's essays and especially his travel books. From xxxx the prolific and popular novelist James Fenimore Cooper (xxxx?xxxx) began publishing his historical romances of frontier and Indian life, to create a unique form of American literature. Cooper is best remembered for his numerous sea-stories and the historical novels known as the Leatherstocking Tales, with their emphasis on heroic simplicity and their fervent landscape descriptions of an already-exotic mythicized frontier peopled by "noble savages", exemplified by Uncas, from The Last of the Mohicans (xxxx) show the influence of Rousseau's (xxxx-78) philosophy. Edgar Allan Poe's tales of the macabre that first appeared in the early xxxxs, and his balladic poetry were more influential in France than at home.[160][161]It was in the Victorian era (xxxx?xxxx) that the novel became the leading literary genre in English.[162] Women played an important part in this rising popularity both as authors and as readers.[163] Monthly serializing of fiction encouraged this surge in popularity, due to a combination of the rise of literacy, technological advances in printing, and improved economics of distribution.[164] Charles Dickens' Pickwick Papers, was published in twenty parts between April xxxx and November xxxx.[165] Both Dickens and Thackeray frequently published this way.[166] However, the standard practice of publishing three volume editions continued until the end of the 19th century.[167] Circulating libraries, that allowed books to be borrowed for an annual subscription, were a further factor in the rising popularity of the novel.The xxxxs and xxxxs saw the rise of social novel, that "arose out of the social and political upheavals which followed the Reform Act of xxxx".[168] This was in many ways a reaction to rapid industrialization, and the social, political and economic issues associated with it, and was a means of commenting on abuses of government and industry and the suffering of the poor, who were not profiting from England's economic prosperity.[169] Stories of the working class poor were directed toward middle class to help create sympathy and promote change. An early example is Charles Dickens' Oliver Twist (xxxx?38). Other significant early example of this genre are Sybil, or The Two Nations, a novel by Benjamin Disraeli (xxxx?81) and Charles Kingsley's (xxxx?75) Alton Locke (xxxx).Charles Dickens (xxxx?70) emerged on the literary scene in the late xxxxs and soon became probably the most famous novelist in the history of English literature. One of his most popular works to this day is A Christmas Carol (xxxx). Dickens fiercely satirized various aspects of society, including the workhouse in Oliver Twist, the failures of the legal system in Bleak House, the dehumanizing effect of money in Dombey and Son and the influence of the philosophy of utilitarianism in factories, education etc., in Hard Times. However some critics have suggested that Dickens' sentimentality blunts the impact of his satire.[170] In more recent years Dickens has been most admired for his later novels, such as Dombey and Son (xxxx?48), Bleak House (xxxx?53) and Little Dorrit (xxxx?57), Great Expectations (xxxx?61), and Our Mutual Friend (xxxx?65).[171] An early rival to Dickens was William Makepeace Thackeray (xxxx?63), who during the Victorian period ranked second only to him, but he is now much less read and is known almost exclusively for Vanity Fair (xxxx). In that novel he satirizes whole swaths of humanity while retaining a light touch. It features his most memorable character, the engagingly roguish Becky Sharp.The Brontë sisters, Emily, Charlotte and Anne, were other significant novelists in the xxxxs and xxxxs. Their novels caused a sensation when they were first published but were subsequently accepted as classics. They had written compulsively from early childhood and were first published, at their own expense, in xxxx as poets under the pseudonyms Currer, Ellis and Acton Bell. The following year the three sisters each published a novel. Charlotte Brontë's (xxxx?55) work was Jane Eyre, which is written in an innovative style that combines naturalism with gothic melodrama, and broke new ground in being written from an intensely first-person female perspective.[172] Emily Brontë's (xxxx?48) novel was Wuthering Heights and, according to Juliet Gardiner, "the vivid sexual passion and power of its language and imagery impressed, bewildered and appalled reviewers,"[173] and led the Victorian public and many early reviewers to think that it had been written by a man.[174] Even though it received mixed reviews when it first came out, and was often condemned for its portrayal of amoral passion, the book subsequently became an English literary classic.[175] The third Brontë novel of xxxx was Anne Brontë's (xxxx?49) Agnes Grey, which deals with the lonely life of a governess. Anne Brontë's second novel, The Tenant of Wildfell Hall (xxxx), is perhaps the most shocking of the Brontës' novels. In seeking to present the truth in literature, Anne's depiction of alcoholism and debauchery was profoundly disturbing to 19th-century sensibilities.[176] Charlotte Brontë's Shirley was published in xxxx, Villette in xxxx, and The Professor in xxxx.Elizabeth Gaskell (xxxx?65) was also a successful writer and her first novel, Mary Barton, was published anonymously in xxxx. Gaskell's North and South contrasts the lifestyle in the industrial north of England with the wealthier south. Even though her writing conforms to Victorian conventions, Gaskell usually frames her stories as critiques of contemporary attitudes, and her early works focused on factory work in the Midlands. She always emphasised the role of women, with complex narratives and dynamic female characters.[177]Anthony Trollope's (xxxx?82) was one of the most successful, prolific and respected English novelists of the Victorian era. Some of his best-loved works are set in the imaginary west country county of Barsetshire, including The Warden (xxxx) and Barchester Towers (xxxx). Trollope's novels portray the lives of the landowning and professional classes of early Victorian England. Henry James suggested that Trollope's greatest achievement was "great apprehension of the real", and that "what made him so interesting, came through his desire to satisfy us on this point".[178]George Eliot's (Mary Ann Evans (xxxx?80) first novel Adam Bede was published in xxxx, and she was a major novelist of the mid-Victorian period. Her works, especially Middlemarch (xxxx?72), are important examples of literary realism, and are admired for their combination of high Victorian literary detail, with an intellectual breadth that removes them from the narrow geographic confines they often depict, that has led to comparisons with Tolstoy.[179] While her reputation declined somewhat after her death,[180] in the 20th century she was championed by a new breed of critics, most notably by Virginia Woolf, who called Middlemarch "one of the few English novels written for grown-up people".[181] Various film and television adaptations of Eliot's books have also introduced her to a wider readership.[182]
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